Secretariat Wins Kentucky Derby – Virtually
For those who backed Secretariat, collect your . . . well, plaudits because there wasn’t any ‘official’ money on the line
3rd May 2020
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For those who backed Secretariat, collect your . . . well, plaudits because there wasn’t any ‘official’ money on the line
American racing expert, Barry Irwin, would side with Secretariat as his top choice for the virtual running of a race to determine the best of
This year marks what would have been the 50th birthday of legendary racehorse Secretariat
Tributes pour in for the First Lady of racing, Penny Chenery, who passed away on 16 September
The latest Audi commercial features a montage of historic and re-created footage of a chestnut champion
SARAH WHITELAW:Views around breeding – is Secretariat a great sire or a dud at stud; the late champion sire Jet Master flies the flag at the National Sales… and more views
ROBYN LOUW: Mike and Tanya McHardy of Rathmor Stud were presented with an Equus award for Exceptional International Achievement for their wonderful filly, Gypsy’s Warning. And it seems they’ve got another superstar on their hands!
There have been some excellent horse racing movies over the past 30 years, most notably the Australian, Simon Wincer’s take on “Phar Lap” (1983), which was glorious in its widescreen version but which lost much in translation to a TV format. Who can ever forget that shot of Phar lap being paraded before the Melbourne Cup, in a shimmering, tasseled, red satin blanket, asks Jimmy Lithgow.
In this second of a new weekly column entitled Time Is Money, we look at some of the past weekend’s highlights
This time last week we were looking forward to the 163rd renewal of the World Sports Betting Cape Town Met
In a new weekly column we look at some of the past weekend’s highlights, and set the fractions with Saturday’s Hollywoodbets Kenilworth WSB Cape Town Met racemeeting
A seasoned racing fan writes that in the zone between 15 and 3 minutes before the official race time, nobody is interested in listening to the personal fancies and various constructions of the presenters’ exotic permutations
